The top 10 most inspiring quotes by Steven Soderbergh
- Lying is like alcoholism. You are always recovering.
- The key to making good movies is to pay attention to the transition between scenes.
- I’m a big believer in volume. If I made three times as many movies as Stanley Kubrick, that must mean I’m three times as good.
- There are three major social issues that this country is struggling with: education, poverty, and drugs. Two of them we talk about, and one of them we don’t.
- It’s really easy to make a movie that five people understand. It’s really hard to make something that a lot of people understand and yet is not obvious, still has subtlety and ambiguity, and leaves you with something to do as a viewer.
- After making a lot more films, I realized that the movie and TV business is, for all its inefficiencies, one of the best-run big businesses we have.
- Reality shows are all the rage on TV at the moment, but that’s not reality, it’s just another aesthetic form of fiction.
- A movie that costs only $1.6 million doesn’t have to be a cultural event to turn a profit.
- Another thing that really excites me: I’d like to do multiple versions of the same film.
- But my sense in talking to people when I travel is that the film business is not that dissimilar from a lot of other businesses.
Steven Soderbergh is an acclaimed American filmmaker known for his versatility and innovative approach to storytelling. Born on January 14, 1963, in Atlanta, Georgia, he grew up in Baton Rouge, Louisiana. Soderbergh gained international recognition with his debut feature, sex, lies, and videotape (1989), which won the Palme d’Or at the Cannes Film Festival and revolutionized independent cinema.
Over his career, Soderbergh has tackled diverse genres, from heist films like Ocean’s Eleven (2001) to dramas like Erin Brockovich (2000) and Traffic (2000), the latter earning him the Academy Award for Best Director. Known for his experimental techniques, he often serves as his own cinematographer and editor under pseudonyms.
Soderbergh is a pioneer in digital filmmaking, embracing unconventional distribution models with projects like Bubble (2005). His prolific output and creative vision have made him one of the most influential filmmakers of his generation.
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