Top 10 most inspiring quotes by Aaron Copland
- To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
- Most people use music as a couch; they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
- The greatest moments of the human spirit may be deduced from the greatest moments in music.
- You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down some sort of permanent statement about the way it feels to live now, today.
- Music that is born complex is not inherently better or worse than music that is born simple.
- The main thing is to be satisfied with your work yourself. It’s useless to have an audience happy if you are not happy.
- For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn’t live with it–even of my own music–with the same nuances forever.
- A great symphony is a man-made Mississippi down which we irresistibly flow from the instant of our leave-taking to a long forseen destination.
- When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
- There is something about music that keeps its distance even at the moment that it engulfs us. It is at the same time outside and away from us and inside and part of us. In one sense it dwarfs us, and in another we master it. We are led on and on, and yet in some strange way we never lose control.
Aaron Copland (1900–1990) was an influential American composer, known for his distinctive and pioneering contributions to 20th-century classical music. Born in Brooklyn, New York, Copland showed early musical talent and studied in the United States before traveling to France for further education with renowned teacher Nadia Boulanger.
Copland’s compositions span a wide range of styles, but he is most celebrated for his distinctively American works, which often incorporated folk and popular elements. His ballet scores, including “Appalachian Spring” (1944) and “Rodeo” (1942), capture the spirit of the American landscape and its people. The former earned him the Pulitzer Prize for Music in 1945.
In addition to his compositional achievements, Copland played a crucial role in shaping American musical education and fostering a uniquely American classical style. He wrote extensively on music and lectured widely, contributing to a deeper understanding and appreciation of contemporary classical music.
Aaron Copland’s legacy endures through his compositions, which remain staples of the classical repertoire, and his influence on subsequent generations of American composers. His commitment to creating music that reflects the spirit of his homeland solidifies his place as a key figure in the history of American classical music.
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