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Inspiring quotes by Bong Joon-ho

The top 10 most inspiring quotes by Bong Joon-ho

  • The mother’s love for her child is very strong in Korean society – almost on the borderline of being an obsession.
  • I think each film should be regarded as its own specific text.
  • My favourite genre lies inside myself, and as I follow my favourite stories, characters and images, it sums up to a certain genre. So at times even I have to try to guess which genre a film will be after I’ve made it.
  • The multilevel, the conscious and the unconscious, is natural when I write scripts, when I come up with ideas and stories.
  • I don’t intentionally make my films with the express goal of surprising the viewer.
  • There is a lot of extreme emotion in Korean film. It’s because there are a lot of extremes in Korean society.
  • I’m sure mothers are important across every culture, but particularly in Korean society, the role of the mother is of great importance.
  • I have a group of cafes and coffee shops that I go to regularly. They usually have an area where I can plug in my computer and have a corner seat where I can do a couple hours of writing or whatever, even the noise of the surrounding people walking by. Those things are the things that stimulate me into writing.
  • I have a complex feeling about genre. I love it, but I hate it at the same time. I have the urge to make audiences thrill with the excitement of a genre, but I also try to betray and destroy the expectations placed on that genre.
  • I love the Japanese director Shohei Imamura. His masterpiece in 1979 called, the English title was ‘Vengeance is Mine.’

Bong Joon-ho is a renowned South Korean filmmaker known for his distinctive storytelling and ability to blend genres. Born on September 14, 1969, in Daegu, South Korea, Bong studied sociology at Yonsei University before pursuing filmmaking at the Korean Academy of Film Arts.

Bong gained international recognition with Memories of Murder (2003), a crime drama based on true events. His unique blend of social commentary, dark humor, and suspense was further highlighted in The Host (2006), a monster film with environmental themes. Snowpiercer (2013) marked his first English-language film, bringing him global acclaim.

In 2019, Bong made history with Parasite, a dark social satire about class inequality. The film won the Palme d’Or at the Cannes Film Festival and became the first non-English language film to win Best Picture at the Academy Awards, earning Bong several Oscars, including Best Director.

Bong is celebrated for his visionary approach, tackling societal issues through genre-bending cinema.

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