The top 10 most inspiring quotes by Harmony Korine
- When I was a child, the temptation to sin was always a romantic option. This romantic option led me to the cinema, a place where sin was welcome.
- I studied writing at NYU. I graduated high school in Nashville and then went to the creative writing program, and in the first year, that’s when I wrote ‘Kids.’
- I was free when I was 12 because I got my first skateboard. I’ve been free ever since.
- I have a pretty good family. But ever since I was little, I just felt like I wanted to be on my own. It was the same thing about school.
- I tried working odd jobs that had nothing to do with creating, and it was difficult for me. In the end, I just always loved movies. When I’m making a film, I feel most alive, like I’m doing the right thing, and I’m in the place where I need to be.
- It’s hard to say things without coming off in a certain way, but at a young age, I felt very driven. All I ever wanted to be is a soldier of cinema.
- Some of the most radical work is being done in the most commercially pop venues, and some of the most boring work is being done in avant-garde territory.
- Sometimes, when you watch people play a video game, they seem lost in this wormhole, or in a trance.
- I look at WorldstarHipHop in the morning, Bossip, Global Grind, and everything in between, but it’s all so quick, I don’t even think about it. And I’ve never been a fan of lyrical or socially conscious rap music.
- I don’t even know how people read new fiction anymore because there’s so much old fiction that exists that seems great that’s unread. It’s overwhelming to me. But, I mean, I do read. But there probably haven’t been many people less literate than me that have been in ‘The Paris Review.’
Harmony Korine is an American filmmaker, writer, and artist known for his provocative, experimental approach to cinema. Born on January 4, 1973, in Bolinas, California, he emerged in the mid-1990s as a bold new voice in independent film.
Korine first gained attention as the writer of Larry Clark’s controversial film Kids (1995), which captured the raw realities of urban youth culture. He went on to direct cult favorites such as Gummo (1997), Julien Donkey-Boy (1999), and Mister Lonely (2007), works noted for their unconventional narratives and striking visuals.
In 2012, Korine reached a wider audience with Spring Breakers, blending pop culture with art-house sensibilities. Beyond film, he has published novels, photography, and art installations, frequently blurring the line between high art and subculture. Often divisive but highly influential, Korine remains a distinctive and challenging figure in contemporary independent cinema.
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