The top 10 most inspiring quotes by Kay Kay Menon
- I was born in Kerala, where my maternal grandparents lived, and stayed there till the age of one, after which I came to Maharashtra to live with my parents and moved all around the state with my father, who worked as a superintendent in an ordnance factory.
- I believe religion is a branch of spirituality, often misinterpreted and twisted to suit people’s ideas. In truth, religion and spirituality are meant to co-exist happily.
- Life is too short to hold regrets. Once it’s done, you cannot regret it.
- I don’t understand when people say character actors. You either have the protagonist or the antagonist and I’ve played both. It’s an actor’s role to play a character. Does that mean that main stream heroes and heroines are characterless?
- Content films necessary don’t go by the content, they go by the emotions. Content films are about content whether you want to portray the content or sell it through humour, through seriousness, is a choice of the filmmaker.
- In real life, I don’t cry too easily. I go numb.
- For me, the film-maker is more important than the story.
- In my case, I’m in touch with God in good times and bad. I don’t use God as a means of favour. And I can’t do business with him – the very thought is bizarre.
- For me, making time for God is like making time to fill my stomach – like the physical space in the stomach needs food, spiritual space in one’s soul needs regular prayer.
- I believe man is stripped naked when he’s in conversation with God. Your deepest fears, strongest desires, highest hopes – they’re all there when you are talking to God.

Kay Kay Menon, born October 2, 1966, in Kozhikode, Kerala, India, is a critically acclaimed Indian actor known for his intense performances and versatility across film, television, and theatre. After completing his education at the National School of Drama in Delhi, Menon began his career in theatre and television, gaining recognition for his nuanced portrayals in TV series like Kashmeer and Shikast.
He made his film debut in the early 1990s and earned widespread acclaim for roles in movies such as Sarkar (2005), Hazaaron Khwaishein Aisi (2003), and Haider (2014). Menon is celebrated for his ability to embody complex, layered characters, often in intense and dramatic narratives.
Known for his dedication to craft rather than commercial stardom, he has carved a niche as one of Indian cinema’s finest character actors. With a reputation for authenticity and depth, Kay Kay Menon remains a respected and influential figure in contemporary Indian film.
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