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Inspiring quotes by Shepard Fairey

The top 10 most inspiring quotes by Shepard Fairey

  • Creating is about sharing ideas, sharing aesthetics, and sharing what you believe in with other people.
  • Art is not always meant to be decorative or soothing, in fact, it can create uncomfortable conversations and stimulate uncomfortable emotions.
  • I think the freedom to express one’s views is more important than intellectual property.
  • The sticker has no meaning, but exists only to cause people to react, to contemplate, and to search for meaning.
  • I’m mischievous. The idea of taking risks and having real-world consequences energizes me.
  • Artmaking comes from the human desire to share something that is universal in one sense, but unique to your sensibility in another. I think that, wherever you are in the world, that impulse exists within human beings.
  • The way I make art, and the way a lot of people make art, is as an extension of language and communication, where references are incredibly important.
  • Public art is ephemeral by nature. Google’s new project not only catalogs an artist’s work but also archives it, allowing people to see the art long after it has disappeared.
  • I’ve never had an original thought in my life, and there are tons of people on the internet who are happy to tell me just that.
  • I try to find a balance between positivity and negativity, celebration and critique in my work; I think there is room for both.

Shepard Fairey, born on February 15, 1970, is an American contemporary street artist, graphic designer, activist, and illustrator. He gained widespread recognition for his iconic “Hope” poster featuring Barack Obama during the 2008 presidential campaign. Fairey emerged from the skateboarding scene in the late 1980s and early 1990s, where he began creating stickers and posters, eventually transitioning to larger street art installations.

Fairey’s work often incorporates political themes, cultural commentary, and social activism, addressing issues such as social justice, environmental awareness, and corporate influence. He co-founded the art collective “BLK/MRKT” in 1997 and later started his own studio, “Studio Number One,” in 2003.

Throughout his career, Fairey has faced legal challenges for his unauthorized use of copyrighted images, particularly in his “Obey Giant” campaign, which originated from a sticker featuring the wrestler AndrĂ© the Giant. Despite controversies, Fairey’s art has been exhibited in galleries and museums worldwide, including the Smithsonian Institution, the Los Angeles County Museum of Art, and the Victoria and Albert Museum.

Shepard Fairey’s influence extends beyond the realm of street art, as he continues to engage in various artistic and activist endeavors, using his platform to spark dialogue and provoke thought on contemporary societal issues.

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