The top 10 most inspiring quotes by Sriram Raghavan
- Raman Raghav’ was shot on location, but there are many stylistic things in it. I like this mixture of documentary and extreme stylization.
- I love songs but am inhibited to have my characters burst out to express themselves through songs. I use the route of using old songs at the right places.
- I do not think that when I write a female character, I intend to reflect my thoughts on gender equality, but I always make sure that my female character is not decorative, they are human, they are good, bad, complex and close to reality.
- For me, ‘Badlapur’ is a terrifically emotional film.
- The stories I read or get attracted to have a kind of thrill element, or a crime.
- Ek Hasina Thi’ is a love story that went sour.
- Like you don’t watch ‘Octopussy’ or any Bond film for the story. You see it for the smart lines, the glamour, the overall package.
- Frankly, you cannot match the action in a Bond or a Bourne film. Forget budgets, it needs an expertise which I probably lacked.
- If it’s a Hindi film, it has to have a Hindi title.
- Songs definitely add to the excitement about a movie.
Sriram Raghavan is an acclaimed Indian film director and screenwriter known for his work in the thriller genre. Born on June 22, 1963, in Pune, Maharashtra, Raghavan developed a passion for storytelling at a young age. He pursued a degree in Economics from Pune University before enrolling at the Film and Television Institute of India (FTII), where he specialized in film direction.
Raghavan made his directorial debut with the critically acclaimed film “Ek Hasina Thi” (2004), a neo-noir thriller. He continued to impress with films like “Johnny Gaddaar” (2007), “Agent Vinod” (2012), and “Badlapur” (2015), which showcased his knack for gripping narratives and complex characters. His 2018 film “Andhadhun” received widespread praise and won numerous awards, including three National Film Awards.
Raghavan is celebrated for his unique style, blending suspense with dark humor, and remains a prominent figure in contemporary Indian cinema.
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