American film actor
Born: December 26, 1914
Died: March 24, 2008
Richard Widmark (1914–2008) was an American actor known for his compelling performances in film and television. Born on December 26, 1914, in Sunrise Township, Minnesota, Widmark initially studied law but soon turned to acting, making his Broadway debut in 1943. His breakthrough came in his film debut with a memorable role as the villainous Tommy Udo in “Kiss of Death” (1947), earning him an Academy Award nomination for Best Supporting Actor.
Widmark continued to impress audiences with his versatile acting skills, taking on a variety of roles in films such as “Judgment at Nuremberg” (1961), “The Alamo” (1960), and “The Bedford Incident” (1965). His career spanned over five decades, showcasing his ability to portray both heroes and villains with equal intensity.
In addition to his success in film, Widmark ventured into television, starring in the popular series “Madigan” in the 1970s. Throughout his career, he received critical acclaim, including a Golden Globe Award for his role in “Madigan.”
Richard Widmark’s legacy endures as one of Hollywood’s most distinguished actors, leaving behind a body of work that continues to be celebrated for its depth and quality. He passed away on March 24, 2008, but his contributions to the world of entertainment remain a testament to his enduring talent.
Richard Widmark’s 5 most popular quotes
- A lot of actors said they hated the studio system, but I loved it. It was like a college; it was a great place to learn.
- Hoods are good parts because they’re always flashy and attract attention. If you’ve got any ability, you can use that as a stepping stone.
- Ford used to come to work in a big car with two Admiral’s flags on each side of the car. His assistant would be there with his accordion, playing Hail to the Chief.
- There was something about Marilyn. She couldn’t act her way out of a bag, but she became an icon because something happened between her and the lens, and no one knows what it is.
- Marilyn was terrible to work with. I was fond of her; she was a nice girl, but she was a damaged girl. She was very difficult. You couldn’t get her on the set; she didn’t know the words.
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